Healthy Parks, Healthy People WPA Mural Walk

FREE “Healthy Parks, Healthy People” WPA Mural Walk

When: Sat, August 1st, 10:00am - 12:00pm

START: Coit Tower parking lot END: Maritime Museum, 900 Beach Street, San Francisco, CA

Join a guided art history and exercise walk on Saturday, August 1st, led by historians and interpreters from San Francisco Maritime National Historical Park and Protect Coit Tower.  The walk starts at Coit Tower at 10 AM and will end at noon at the Maritime Museum building, in Aquatic Park, just over one mile, all downhill, one-way.

The art talk will feature the murals and decorative arts of these two 1930s WPA Federal Art Project gems—contrasting the Coit Tower’s realism and pro-labor message with the Maritime Museum’s fantastical-surreal undersea “Lost Continents of Atlantis and Mu” painted by Hilaire Hiler and the Art Moderne bas relief and mosaics by Sargent Johnson. Along the way, you will enjoy light stretching and a brisk walk through North Beach, one of the most colorful neighborhoods in the city.

Please be sure to dress comfortably, wear sneakers or walking shoes, bring a water bottle, and bring sun protection. This is a free public event. Participants will be responsible for their return to their point of origin. No registration required. The 39 MUNI bus serves Fisherman’s Wharf and Coit Tower.  For more information on the 39 bus, see

Contact: For more information, please call (415)561-7170



Coit Tower News - May 2015

  COIT TOWER NEWS – May 2015


On May 14, 2015, the one year anniversary of the reopening of a restored Coit Tower, the daughter and granddaughters of Coit Tower mural artist Otis Oldfield gathered together at Coit Tower with Coit Tower preservation advocates to celebrate the improved treatment of the Tower’s historic New Deal murals and to launch a new education project about the 25 artists who painted the historic Coit Tower murals.  The new education project will distribute 10,000 Coit Tower Mural Artists educational pamphlets this summer.  The pamphlets were created by Jon Golinger of Protect Coit Tower, in collaboration with Susan Goldstein with the SF History Center of the SF Public Library, and printed with generous support from Delia Fleishhacker Ehrlich, great-niece of Herbert Fleishhacker, who was the President of the SF Park Commission when Coit Tower was built.  They feature rare photos of the 25 artists who came together in 1934 to paint the Coit Tower murals, the first big art project in the nation paid for by the government through the New Deal.

Three years ago, San Francisco voters approved Proposition B, a Coit Tower Preservation ballot measure that required the city to prioritize the millions of dollars generated by Coit Tower visitors for the ongoing restoration and protection of the 81 year old building and its historic collection of 27 frescos and paintings.  Before voters approved Prop. B, Coit Tower had lead paint peeling from the ceiling, poor lighting, seeping water leaks corroding the murals, and huge gashes damaging the frescoes.  On May 14, 2014, the city reopened Coit Tower following a six-month, $1.7 million repair of the building and restoration of every single mural inside the Tower for the first time in its history.  Last month, under the direction of the San Francisco Arts Commission, conservator Anne Rosenthal cleaned the murals and restored minor damage to some of the art from the past year.

Read the article “Coit Tower Muralists Get New Recognition” by clicking here:


In an effort to expand student and public awareness of the murals at Coit Tower, a Coit Tower Mural Education Fund has been created to expand docent led tours of the murals for students and the general public.  Donations will help support student field trips and educational docent tours.

“We at the Tower are dedicated to expanding the awareness of the this important art and its history the Tower murals represent,” says, Mr. David Crockett with Coit Tower, LLC, which contracts with the City to manage the day-to-day operations at Coit Tower.  “Many of our visitors are so intent on taking the elevator to the top for the view, they often miss the experience of these vibrant life depictions of the 1930’s.  We hope through this new program, we will be able to expand guided tours of the murals for students and the public.”

Donations to support the docent program can be made to “ArtCare: Friends of the San Francisco Arts Commission” and may be sent to Community Initiatives at 345 Post Street, San Francisco, CA 94104.  Please add ArtCare/Coit Tower to your check memo line.  For more information about the docent program, Mr. Crockett may be reached by email at



Carmel Honors the Coit Tower Artists


SF Chronicle: Coit Tower's long-hidden murals finally revealed


November 4, 2014

Coit Tower’s long-hidden murals finally being revealed

by Sam Whiting

Round and round go 2,000 visitors a day at Coit Tower, marveling at the first-floor murals and walking by a double door that leads to the murals no one ever sees.

These are the unknown upstairs wall paintings that start with a panorama of Powell Street, climbing the hill as the viewer climbs the steps, and end with a bright painting of domestic life that gets its own little room to wrap around.

“The second-floor murals have been largely closed off to the public,” says Jon Golinger of Protect Coit Tower, an advocacy group. “Most San Franciscans and most visitors don’t even know they are there.”

For most of the 80-year history of the murals, the second floor has been kept secret because the stairway is narrow and the viewing space is extremely tight. The first floor has the rotunda to handle the crowds. The second floor is only as wide as the tower itself, and the seven murals are mostly pressed together at the landing.

The unifying theme is recreation, as opposed to the first-floor theme, which is industry and commerce, depicted by people grim with purpose, trying to make their way amid the struggle and strife of the Great Depression.

Because all 27 Coit Tower murals were painted at the same time, in 1934, they presumably were meant to be seen as a whole. Now that all the murals have undergone the most intensive restoration in their history, an effort is being made to get people up there, but only in groups of four to eight, and only as part of a docent tour.

This can be done either through City Guides, which offers free tours of all the murals on Wednesdays or Saturdays, or through the vendor, Coit Tower Tours, which includes a docent tour of all the murals, for $7 a person. The second-floor tour takes about 15 minutes, which is too short for Golinger.

“I’ve been up here for at least an hour at a time,” he says. “Every time you look at the murals you find something new.”

Studied up close

They can only be studied up close, which has a sudden impact when the double door opens to “Powell Street,” by Lucien Labaudt. The mural runs up both sides of the stairway, like both sides of the street, and as you climb the stairs, people climb Powell alongside the cable car.

“The stairway mural is superb; it is one of the all-time best within the tower,” says Anne Rosenthal, an arts conservator who led the restoration of the murals, a yearlong $500,000 project overseen by the San Francisco Arts Commission, guardian of the tower murals.

At the top of the stairs are two murals that bump into each other. One is “Sports” by Edward Takeo Terada, and the other is “Collegiate Sports” by Parker Hall, which includes a Big Game picture above and around the exit.

“I love that portion,” says Rosenthal. “It is very creative the way that center is straddled over the stairway.”

The marquee mural is “Home Life,’ by Jane Berlandina, a French artist married to Henry Howard, one of the architects for the tower. “Home Life” is the only mural at Coit that is a tempera painting, with egg yolk mixed into the pigment, and it is the only mural at Coit that had never been restored.

It took two conservators three weeks to fix the scratches and divots before it was dry-cleaned like the others.

“When I came into this room three years ago, it had the worst damage of them all,” Golinger says. “It had chips and gashes. Now every visitor I see walk into this room goes 'wowm’ and their eyes pop open.”

Natural light

The room is flooded with natural light that brings up the yellows and reds. Berlandina also did sets for the San Francisco Opera, and this little room is a set of its own, with curtains drawn over the doorways.

Surrounding the viewer are a mom rolling out piecrust with her daughters, people in formal wear dancing to a piano/guitar duo, adults playing cards at a table, and a dad reading the newspaper in an easy chair.

“This mural really jumps out,” says Golinger, an attorney who lives in North Beach. “It’s a much more upbeat version of life in 1934. It seems almost as if all is well in the world.”

If you are up there at the right time, you can see staff coming out a door, beneath Ben Cunningham’s “Outdoor Life.” This is something else as unknown as the second-floor murals: the long-rumored Coit Tower caretaker’s apartment, now converted to an office.

Sam Whiting is a San Francisco Chronicle staff writer. E-mail:

Coit Tower Tours

For details: or

To watch a short video:

To view a gallery of images:


Examiner Op-Ed: Keep Coit Tower, public parks open to all


Keep Coit Tower, public parks open to all

October 31, 2014

by Ruth Gottstein

Recently my granddaughter forwarded me a YouTube video -- I am 92 years old, but yes, I watch YouTube -- of neighborhood kids being bullied off the Mission District Playground by a group of adults. Seeing that video, I was as upset as she was -- but sadly I was not completely surprised.

The adults who handled the situation so poorly by trying to intimidate the kids rather than sharing with them certainly deserve some of the blame. But the real problem is that the current leaders of the San Francisco Recreation and Park Department have been pushing very hard in recent years to commercialize and monetize our public spaces and parks. It's time for that to end.

I have watched this happen first-hand at Coit Tower 80 years ago, where my father, Bernard Zakheim, painted me into his beautiful New Deal mural there called "Library." Three years ago I was quite appalled to discover that the state of Coit Tower and its murals was extremely poor, with lead paint peeling from the ceiling, many of the murals gouged by carelessness or covered in water damage, and nobody really in charge there at all. What other art museum of importance would be treated this way, especially one that brings in over a million dollars a year in revenue from visitors riding the elevator to the top, as Coit Tower does?

That's why I gladly participated in the successful citizen campaign to put a measure before San Francisco voters to preserve Coit Tower by prioritizing the funding generated there for its upkeep and strictly limiting commercial activity and private events at Coit Tower. I was so thrilled that voters citywide said "Yes" to this measure and made it city law in June of 2012. Subsequently, Coit Tower was comprehensively rehabilitated and the murals thoroughly restored, and since it reopened to the world this spring it has looked better than ever.

Unfortunately, the Recreation and Park Department has stubbornly continued to divert 90 percent of the elevator revenue generated at Coit Tower away from it to other purposes. This has left the person who was newly hired to run the elevator and gift shop on The City's behalf in a very difficult state where he finds himself losing money while doing a good job. But, instead of fixing this by spending the Coit Tower elevator revenue to upkeep the tower as the voters mandated, the Recreation and Park Department instead is proposing to construct a concession stand building outside to sell more things and make more money.

As members of the family of Lillie Hitchcock Coit, whose generous bequest originally built Coit Tower, wrote in a letter recently: "If Coit Tower is generating more than enough money right now from elevator fees to pay the people the city has hired to run Coit Tower to continue doing a quality job to operate and maintain it, isn't that exactly what the voters of San Francisco said should be done, before squeezing Coit Tower to generate money for other purposes?"

I wholeheartedly agree and would add that the Coit Tower murals were also entirely free to the city of San Francisco, funded entirely by federal taxpayer funds through New Deal programs.

Coit Tower has not even had a private concession there selling souvenirs for most of its life, since it was simply created at Lillie's direction in her will "to beautify the city I have always loved." Given the will of the voters to preserve Coit Tower and keep it from becoming privatized or over-commercialized, I would hope that the Recreation and Park Department, the supervisors and the mayor will get together and find a wiser way to protect this national treasure instead of over-commercializing it.

Similarly, rather than exclude San Francisco children and families from public parks that were paid for with public funds to allow people of all ages to recreate and play, I hope the Recreation and Park Department will find better ways to manage our parks than trying to monetize them.

Hopefully the next YouTube video I receive from my granddaughter will be of happy kids at play in a park or people enjoying Coit Tower and its magnificent murals, as I hope they will be able to do for at least another 80 years.

Ruth Gottstein is the daughter of Coit Tower artist Bernard Zakheim and the publisher of "Coit Tower San Francisco: Its History and Art."


Coit Tower Artists in Photo Show for 80th


Coit Tower Muralists in Photo Show for 80th

The exhibition at Canessa Gallery runs through Halloween and depicts all of the artists either working on murals or, if they were never photographed there, working elsewhere.  The show is free and sponsored by Protect Coit Tower.  It runs through the end of the month.

Click here for some of the portraits of the artists interspersed with the murals they painted, mostly on the second floor which is only open by tour.:


SF Examiner: New Coit Tower Exhibit Open


New Coit Tower exhibit open 

October 15, 2014
by Mike Koozmin
A new Coit Tower exhibit is open at the Canessa Gallery in North Beach. It features a collection of rare photographs of the 25 artists who painted the Coit Tower murals 80 years ago. Jayne Oldfield Blatchly, the daughter of muralist Otis Oldfield, was present at a preview to talk about her father’s mural and the artworks in general. In this photo, taken Friday, she is looking at a photo of her father painting one of the murals on a canvas in his studio. Oldfield Blatchly was joined at the gallery Friday by Jon Golinger, president of the National New Deal Preservation Association as well as the chair of Protect Coit Tower. Coit Tower first opened to the public Oct. 12, 1934.

Coit Tower News - May 2014

  COIT TOWER NEWS – May 2014
Two years after San Francisco voters approved the Coit Tower Preservation ballot measure Proposition B in 2012, Coit Tower has been rehabilitated, the historic murals restored, and new education and damage-prevention measures put in place.  May 14, 2014 was a gloriously beautiful day in San Francisco, and nowhere more so than on top of Telegraph Hill standing next to Lillie Hitchcock Coit’s gift to “the city I have always loved.”  Along with Donna “Lillie Coit” Huggins, Mal Sharpe’s Big Money in Jazz Band, the fire and police chiefs and assorted city officials, a beaming group of relatives of the Coit Tower artists came together with Coit Tower supporters from across San Francisco to celebrate this long-awaited day.  Special thanks to the Coit Tower artists’ relatives who came together in 2012 to urge voters to approve the Coit Tower ballot measure and who again made special trips to be there for the grand reopening:  Bruce Chesse (son of Coit Tower painter Ralph Chesse) Pete Arnautoff (grandson of Coit Tower artist Victor Arnautoff), Jayne Oldfield Blatchly, Ellen Fortier, and Rachel Prescott (daughter and granddaughters of Coit Tower artist Otis Oldfield), and Ruth and Adam Gottstein (daughter and grandson of Coit Tower artist Bernard Zakheim).
On the eve of the Coit Tower reopening, Carl Nolte of the San Francisco Chronicle wrote a fascinating front page feature story about Otis Oldfield and Jayne Oldfield Blatchly, the “keeper of the flame” of Oldfield’s art.  The Chronicle story reads as a wonderful window into life on Telegraph Hill in the 1930s when Oldfield and his family lived on unpaved Montgomery Street and he painted his Coit Tower art.  Click on this link to read the story online and see some fabulous photos of Otis and Jayne.
Special thanks also to Harvey Smith of the National New Deal Preservation Association and to the San Francisco Arts Commission for their collaboration to create a brand new set of artist informational plaques that now tell visitors who each Coit Tower artist was and provide some context for their art.
Watch this terrific ABC news story about the grand reopening of Coit Tower by clicking here:
Photos from Restored Coit Tower Reopening, May 14, 2014
photos courtesy of Richard Zimmerman

Pete Arnautoff, Jon Golinger, Ruth Gottstein, Bruce Chesse, Julie Jaycox








Jon Golinger, Donna “Lillie Coit” Huggins    


Maxine Albro’s restored mural “California”



Coit Tower News - April 2014


  COIT TOWER NEWS – April 2014


Mark your calendar – Coit Tower is set to reopen to the public on Wednesday, May 14.  According to the San Francisco Examiner, on May 14 at 11AM city officials will join families of the Coit Tower artists and Coit Tower advocates and fans at Coit Tower for an event to celebrate the reopening of this special place following a six month comprehensive renovation and mural restoration project.

As of late April, the $1.7 million Coit Tower renovation project that began in November 2013 was 90 to 92 percent complete, according to Toks Ajike of the SF Recreation and Parks Department. Last-minute touch-up work being finalized included installing lighting fixtures inside the mezzanine level, waterproofing some of the exterior and minor paint work in the interior.  Allison Cummings of the Arts Commission told the Examiner that restoration of the Depression-era murals was 80 percent complete, with mural touch ups and removal of white mineral salts that formed on the murals on the first floor completed.  The team of three art conservators and their assistant are working on restoring the second floor murals, which will take two to three weeks, according to the Arts Commission.

Please plan to join Protect Coit Tower and all who have worked so hard for the last several years to fix Coit Tower on May 14th to celebrate the restoration and reopening of Coit Tower for all to enjoy.



On April 29, the San Francisco Examiner printed an op-ed from Ruth Gottstein and Jon Golinger focusing on the original artists who painted the Coit Tower murals in 1934 with details about the Coit Tower art project.  As Coit Tower prepares to reopen to the public once again, it is an appropriate time to appreciate the 25 individual artists without whom the Coit Tower murals would not exist. 

The op-ed is reprinted below:


Tuesday, April 29, 2014

Artists behind Coit Tower murals deserve praise 

By Ruth Gottstein and Jon Golinger

Two years ago, the people of San Francisco took a monumental step to protect the city landmark called Coit Tower and its famous New Deal-era fresco murals. In June 2012, San Francisco voters approved a historic ballot measure that required The City to take action to protect Coit Tower and its famous fresco murals from falling into further decay and disarray.

Despite a well-funded opposition campaign led by short-sighted individuals who attempted to portray efforts to preserve Coit Tower as some elitist crusade, voters from every section of The City voted to keep Coit Tower open to the public, rather than closed for private events, and to prioritize funds generated from visitors for its preservation. We are so encouraged that the people of this entire city recognized the value of this special place, and we are absolutely thrilled that their votes led to the $1.7 million Coit Tower restoration project that is nearing completion. We will be cheering when the doors to Coit Tower reopen in the next few weeks so the public can once again see Lillie Hitchcock Coit’s gift to San Francisco in all its glory.


However, it is troubling that so little attention has been paid in the news releases and media coverage about the Coit Tower renovation to the 25 artists without whom the murals would never have existed in the first place.


They are the four women and 21 men who worked efficiently and cooperatively in the first six months of 1934 to cover 3,691 square feet of the interior walls of Coit Tower with the first public works of art funded under the New Deal. Against the tumultuous backdrop of the Great Depression, and with a massive general labor strike taking place in San Francisco at that very moment, these 25 artists were nonetheless able to view San Francisco and California through a prism of optimism.


With the broad charge to create art depicting the theme of “Life in California,” the Coit Tower painters brought their very different backgrounds, perspectives and skills to work every morning to blend the reality on the streets they saw and the hopeful future they believed in into 22 fresco murals and five oil paintings that are so collaborative many people mistakenly believe they were all created by a single artist.


Identifying the artists is important, because they were individuals who worked hard to practice their craft with results that have enlightened generations of visitors to Coit Tower and illustrated the immeasurable and lasting benefits that publicly funded art can produce. Furthermore, we have uncovered some fascinating documents from the Smithsonian’s Archives of American Art that record the details of the Coit Tower art project, down to the exact amount each artist was paid for his or her contribution. According to the original Coit Tower project papers stored at the Archives of American Art, the entire mural project cost just $26,022, which was entirely paid for by federal funds through the Public Works of Art Project and supplemented by the State Emergency Relief Administration. The city of San Francisco paid nothing and got the murals for free.


The individual Coit Tower artists were paid approximately $1 per hour for the mural project — each artist earned an average of $639 for creating these historic artworks — and completed the job on budget and on schedule. Who the artists were and what they did before and after coming together for the Coit Tower mural project is a fascinating and colorful story. Here, we simply want to introduce the master artists who created the frescos at Coit Tower and encourage all interested to find out more.


The Coit Tower painters were Maxine Albro, Victor Arnautoff, Jane Berlandina, Ray Bertrand, Ray Boynton, Ralph Chesse, Rinaldo Cuneo, Ben Cunningham, Mallette Dean, Parker Hall, Edith Hamlin, George Harris, William Hesthal, John Langley Howard, Lucien Labaudt, Gordon Langdon, Jose Moya del Pino, Otis Oldfield, Frederick Olmsted Jr., Ralph Stackpole, Suzanne Scheuer, Edward Terada, Frede Vidar, Clifford Wight and Bernard Zakheim.


We thank these talented artists, along with Lillie Hitchcock Coit, for the beautiful gift they gave to every San Franciscan and to countless visitors from around the world. And we are so grateful to the people of San Francisco for taking action by voting for Proposition B in 2012 to ensure that the Coit Tower murals are restored, protected and once again made available for free for all to see for years to come.


Ruth Gottstein is the daughter of Coit Tower artist Bernard Zakheim and the publisher of “Coit Tower San Francisco: Its History and Art.” Jon Golinger is the founder of Protect Coit Tower.


Coit Tower News - March 2014


  COIT TOWER NEWS – March 2014


A team of experienced art conservators led by Anne Rosenthal, Gregory Thomas, and James Brenstein are hard at work every day to restore the 27 Coit Tower murals to good shape.  This is a fabulous sign of good progress towards ensuring that Coit Tower and its historic murals are treated with the dignity and respect they deserve, and the care that will allow them to be available for future generations to consider and enjoy.  Read more about the Coit Tower mural restoration progress in the San Francisco Examiner article from March 21st, Makeover of SF’s Coit Tower nears completion.

Thanks for this goes first and foremost to the people of San Francisco for voting to pass Proposition B, the Coit Tower Preservation Policy, in June 2012 to correct the decades of neglect and decay to the Coit Tower building and murals due to poor stewardship by city agencies who treated Coit Tower as simply a “cash cow” for too long.  We sincerely hope that this is a new day for Coit Tower.

The reopening of Coit Tower to the public is scheduled for mid to late April, details to come. 


From the personal collection of former San Francisco art gallery owner Jan Holloway and her husband Maurice Holloway, the Thomas Reynolds Gallery is currently presenting historic paintings, prints, drawings, photographs and sculpture from early 20th century San Francisco – including the difficult days of labor struggles and war and happier scenes of San Francisco at play.   Much of this work has never before been exhibited and is offered for sale for the first time.

The exhibition Good Times – Hard Times: Uncommon Scenes of Early 20th Century San Francisco includes some of California’s most prominent artists of the era.  The artists featured in the exhibition include Coit Tower muralists Victor Arnautoff, Otis Oldfield, and Ralph Stackpole in addition to works from many other artists of the time.  The work of this era is also being spotlighted in two museum exhibitions, “The Bay Bridge: A Work in Progress, 1933-36” at the de Young Museum in San Francisco and “Peter Stackpole: Bridging the Bay” at the Oakland Museum.

Jan Holloway knew many of these artists and their families, and in the catalog of the exhibition she tells their stories.  Jan was active on the San Francisco art scene from 1978 until her retirement in 2005.  According to a review of the exhibit in the online magazine Art Matters:   “The sense of place in the Holloway collection is sometimes precious, sometimes explosive. The diverse artists represented here are the threads that built the structure and the richness of the tapestry of San Francisco’s art community.”

See Good Times-Hard Times at the Thomas Reynolds Gallery at 2291 Pine Street @ Fillmore until April 19, 2014.  Gallery hours are 12-6 on Thursdays, Fridays and Saturdays or by appointment.  For more information call (415) 441-4093 or visit



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